{"id":1064,"date":"2025-04-07T15:16:32","date_gmt":"2025-04-07T13:16:32","guid":{"rendered":"https:\/\/youngcollectors.galerieleage.com\/?post_type=product&p=1064"},"modified":"2025-05-22T14:49:37","modified_gmt":"2025-05-22T12:49:37","slug":"test2","status":"publish","type":"product","link":"https:\/\/youngcollectors.galerieleage.com\/en\/object\/test2\/","title":{"rendered":"Mantel clock representing a figure of prudence"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":1025,"template":"","meta":{"_acf_changed":false,"wp_typography_post_enhancements_disabled":false,"_yc_description_objet":"","_yc_histoire_objet":"","_yc_etat_objet":""},"product_brand":[],"product_cat":[],"product_tag":[],"class_list":{"0":"post-1064","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","7":"first","8":"instock","9":"featured","10":"sold-individually","11":"taxable","12":"shipping-taxable","13":"purchasable","14":"product-type-simple"},"acf":{"cartel":{"simple_value_formatted":"

France, Louis xvi<\/span> period<\/p>\n

Andr\u00e9-Alexandre Deribaucourt, master clockmaker in 1770<\/strong><\/p>\n

After a drawing by Antoine Foullet (circa <\/i>1710-1775)<\/strong><\/p>\n

The enamelled dial is signed Deribaucourt<\/i><\/p>\n

Chased and gilt bronze<\/p>\n

Carrara white marble<\/p>\n","value_formatted":"

France, Louis xvi<\/span> period<\/p>\r\n

Andr\u00e9-Alexandre Deribaucourt, master clockmaker in 1770<\/strong><\/p>\r\n

After a drawing by Antoine Foullet (circa <\/i>1710-1775)<\/strong><\/p>\r\n

The enamelled dial is signed Deribaucourt<\/i><\/p>\r\n

Chased and gilt bronze<\/p>\r\n

Carrara white marble<\/p>","value":"

France, Louis xvi<\/span> period<\/p>\r\n

Andr\u00e9-Alexandre Deribaucourt, master clockmaker in 1770<\/strong><\/p>\r\n

After a drawing by Antoine Foullet (circa <\/i>1710-1775)<\/strong><\/p>\r\n

The enamelled dial is signed Deribaucourt<\/i><\/p>\r\n

Chased and gilt bronze<\/p>\r\n

Carrara white marble<\/p>","field":{"ID":781,"key":"field_67f661144735a","label":"Cartel","name":"cartel","aria-label":"","prefix":"acf","type":"wysiwyg","value":null,"menu_order":0,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"wp-typography":"content","default_value":"","tabs":"all","toolbar":"full","media_upload":1,"delay":0,"wpml_cf_preferences":2,"_name":"cartel","_valid":1}},"dimensions":{"simple_value_formatted":"

 <\/p>\n

Height: 35 cm \u2013 13 \u00be inches<\/p>\n

Width: 30 cm \u2013 11 \u00be inches<\/p>\n

Depth: 13 cm \u2013 5 \u00bc inches<\/p>\n","value_formatted":" \r\n

Height: 35 cm \u2013 13 \u00be inches<\/p>\r\n

Width: 30 cm \u2013 11 \u00be inches<\/p>\r\n

Depth: 13 cm \u2013 5 \u00bc inches<\/p>","value":" \r\n

Height: 35 cm \u2013 13 \u00be inches<\/p>\r\n

Width: 30 cm \u2013 11 \u00be inches<\/p>\r\n

Depth: 13 cm \u2013 5 \u00bc inches<\/p>","field":{"ID":782,"key":"field_67f661254735b","label":"Dimensions","name":"dimensions","aria-label":"","prefix":"acf","type":"wysiwyg","value":null,"menu_order":1,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"wpml_cf_preferences":2,"wp-typography":"content","default_value":"","tabs":"all","toolbar":"full","media_upload":1,"delay":0,"_name":"dimensions","_valid":1}},"exemples_comparables":{"simple_value_formatted":"

Close examples:<\/h3>\n
    \n
  • Antoine Foullet, Small Prudence clock, circa <\/i>1760, bedroom of the \u201cGrand Duke\u201d or secretary room, Pavlovsk Palace, Saint-Petersburg (inv. 1389-iv<\/span>)<\/li>\n<\/ul>\n
      \n
    • Unknown, Prudence or Cleopatra, circa <\/i>1780, Paris, Louvre Museum (inv. OA 6625)<\/li>\n<\/ul>\n
        \n
      • Pierre-Antoine Foullet, Small clock with an allegory of Wisdom<\/i>, circa 1765, Stuttgart, Ministry of Science and Art (inv. nr<\/span>. sch<\/span>. L3361)<\/li>\n<\/ul>\n","value_formatted":"

        Close examples:<\/h3>\r\n
          \r\n \t
        • Antoine Foullet, Small Prudence clock, circa <\/i>1760, bedroom of the \u201cGrand Duke\u201d or secretary room, Pavlovsk Palace, Saint-Petersburg (inv. 1389-iv<\/span>)<\/li>\r\n<\/ul>\r\n
            \r\n \t
          • Unknown, Prudence or Cleopatra, circa <\/i>1780, Paris, Louvre Museum (inv. OA 6625)<\/li>\r\n<\/ul>\r\n
              \r\n \t
            • Pierre-Antoine Foullet, Small clock with an allegory of Wisdom<\/i>, circa 1765, Stuttgart, Ministry of Science and Art (inv. nr<\/span>. sch<\/span>. L3361)<\/li>\r\n<\/ul>","value":"

              Close examples:<\/h3>\r\n
                \r\n \t
              • Antoine Foullet, Small Prudence clock, circa <\/i>1760, bedroom of the \u201cGrand Duke\u201d or secretary room, Pavlovsk Palace, Saint-Petersburg (inv. 1389-iv<\/span>)<\/li>\r\n<\/ul>\r\n
                  \r\n \t
                • Unknown, Prudence or Cleopatra, circa <\/i>1780, Paris, Louvre Museum (inv. OA 6625)<\/li>\r\n<\/ul>\r\n
                    \r\n \t
                  • Pierre-Antoine Foullet, Small clock with an allegory of Wisdom<\/i>, circa 1765, Stuttgart, Ministry of Science and Art (inv. nr<\/span>. sch<\/span>. L3361)<\/li>\r\n<\/ul>","field":{"ID":783,"key":"field_67f661484735c","label":"Exemples comparables","name":"exemples_comparables","aria-label":"","prefix":"acf","type":"wysiwyg","value":null,"menu_order":2,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"wp-typography":"content","default_value":"","tabs":"all","toolbar":"full","media_upload":1,"delay":0,"wpml_cf_preferences":2,"_name":"exemples_comparables","_valid":1}},"exemples_vraisemblablement_identiques":{"simple_value_formatted":"

                    Presumably identical examples, 18th century collections:<\/h3>\n
                      \n
                    • An identical clock is also described in the inventory after death drawn up in 1772 of Jean-Baptiste Baillon, valet de chambre-horloger ordinaire<\/i> of the dauphine Marie-Antoinette<\/li>\n<\/ul>\n
                        \n
                      • A similar clock went on sale in the collections of the Count of Merle on March 1st, 1784, p. 108, lot 217: \u201cA clock, striking the hours and half, by Baillon, accompanied by a figure of a seated woman, well draped, holding a mirror in one hand, a snake in the other, and leaning on the clock ; the whole placed on a grooved plinth, a woman\u2019s mask, squares and laurel garlands and a lion\u2019s muzzle in gilt bronze on a double blackened wooden plinth decorated with roses, mouldings and balls: height 12 inches 4 lines\u201d<\/li>\n<\/ul>\n","value_formatted":"

                        Presumably identical examples, 18th century collections:<\/h3>\r\n
                          \r\n \t
                        • An identical clock is also described in the inventory after death drawn up in 1772 of Jean-Baptiste Baillon, valet de chambre-horloger ordinaire<\/i> of the dauphine Marie-Antoinette<\/li>\r\n<\/ul>\r\n
                            \r\n \t
                          • A similar clock went on sale in the collections of the Count of Merle on March 1st, 1784, p. 108, lot 217: \u201cA clock, striking the hours and half, by Baillon, accompanied by a figure of a seated woman, well draped, holding a mirror in one hand, a snake in the other, and leaning on the clock ; the whole placed on a grooved plinth, a woman\u2019s mask, squares and laurel garlands and a lion\u2019s muzzle in gilt bronze on a double blackened wooden plinth decorated with roses, mouldings and balls: height 12 inches 4 lines\u201d<\/li>\r\n<\/ul>","value":"

                            Presumably identical examples, 18th century collections:<\/h3>\r\n
                              \r\n \t
                            • An identical clock is also described in the inventory after death drawn up in 1772 of Jean-Baptiste Baillon, valet de chambre-horloger ordinaire<\/i> of the dauphine Marie-Antoinette<\/li>\r\n<\/ul>\r\n
                                \r\n \t
                              • A similar clock went on sale in the collections of the Count of Merle on March 1st, 1784, p. 108, lot 217: \u201cA clock, striking the hours and half, by Baillon, accompanied by a figure of a seated woman, well draped, holding a mirror in one hand, a snake in the other, and leaning on the clock ; the whole placed on a grooved plinth, a woman\u2019s mask, squares and laurel garlands and a lion\u2019s muzzle in gilt bronze on a double blackened wooden plinth decorated with roses, mouldings and balls: height 12 inches 4 lines\u201d<\/li>\r\n<\/ul>","field":{"ID":786,"key":"field_67f662067360c","label":"Exemples vraisemblablement identiques","name":"exemples_vraisemblablement_identiques","aria-label":"","prefix":"acf","type":"wysiwyg","value":null,"menu_order":3,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"wp-typography":"content","default_value":"","tabs":"all","toolbar":"full","media_upload":1,"delay":0,"wpml_cf_preferences":2,"_name":"exemples_vraisemblablement_identiques","_valid":1}},"publications":{"simple_value_formatted":"","value_formatted":"","value":"","field":{"ID":784,"key":"field_67f661604735d","label":"Publications","name":"publications","aria-label":"","prefix":"acf","type":"wysiwyg","value":null,"menu_order":4,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"wp-typography":"content","default_value":"","tabs":"all","toolbar":"full","media_upload":1,"delay":0,"wpml_cf_preferences":2,"_name":"publications","_valid":1}},"description_de_lobjet":{"simple_value_formatted":"

                                This desk clock in chased and gilt bronze represents the allegory of Prudence in the shape of a woman, dressed in the antique style, extending and leaning against a fluted terminal supporting the dial. In her right hand, she holds a mirror in which she looks at herself as a snake is wrapped around her left hand.<\/p>\n

                                The overall rests on a plinth framed by a matte border adorned with two rosettes. A woman\u2019s head surrounded by garlands of foliage decorates its centre. This plinth rests on a white marble counter-base adorned with a putti <\/i>in relief playing with a garland of flowers around the column base, framed with roses. The overall rests on spinning top legs. The white enamelled dial with Roman numerals for the hours and Arabic numerals for the minutes, is signed Deribaucourt \u00e0 <\/i>Paris<\/i>.<\/p>\n","value_formatted":"

                                This desk clock in chased and gilt bronze represents the allegory of Prudence in the shape of a woman, dressed in the antique style, extending and leaning against a fluted terminal supporting the dial. In her right hand, she holds a mirror in which she looks at herself as a snake is wrapped around her left hand.<\/p>\r\n

                                The overall rests on a plinth framed by a matte border adorned with two rosettes. A woman\u2019s head surrounded by garlands of foliage decorates its centre. This plinth rests on a white marble counter-base adorned with a putti <\/i>in relief playing with a garland of flowers around the column base, framed with roses. The overall rests on spinning top legs. The white enamelled dial with Roman numerals for the hours and Arabic numerals for the minutes, is signed Deribaucourt \u00e0 <\/i>Paris<\/i>.<\/p>","value":"

                                This desk clock in chased and gilt bronze represents the allegory of Prudence in the shape of a woman, dressed in the antique style, extending and leaning against a fluted terminal supporting the dial. In her right hand, she holds a mirror in which she looks at herself as a snake is wrapped around her left hand.<\/p>\r\n

                                The overall rests on a plinth framed by a matte border adorned with two rosettes. A woman\u2019s head surrounded by garlands of foliage decorates its centre. This plinth rests on a white marble counter-base adorned with a putti <\/i>in relief playing with a garland of flowers around the column base, framed with roses. The overall rests on spinning top legs. The white enamelled dial with Roman numerals for the hours and Arabic numerals for the minutes, is signed Deribaucourt \u00e0 <\/i>Paris<\/i>.<\/p>","field":{"ID":615,"key":"field_67e67d7bae7bc","label":"Description de l'objet","name":"description_de_lobjet","aria-label":"","prefix":"acf","type":"wysiwyg","value":null,"menu_order":5,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"default_value":"","tabs":"all","toolbar":"full","media_upload":1,"delay":0,"wpml_cf_preferences":2,"_name":"description_de_lobjet","_valid":1}},"histoire_de_lobjet":{"simple_value_formatted":"

                                An Allegory of Prudence<\/h3>\n

                                This model was designed by Antoine Foullet (circa<\/i> 1710-1775), a Parisian cabinetmaker and merchant. His drawing, dated from 1763, appears in the Livre de dessin de pendules<\/i>, published around 1765 under the title \u201cPieces for office, small Prudence, Foulet, color 275 gold pounds, gilding 187 gold pounds, golden price 462 gold pounds\u201d preserved at the Doucet Library and signed by the founder Pierre Antoine Foullet, with the inscription \u201cPiece for the office, Small Prudence\u201d. The theme of Prudence is illustrated here according to the description of Cesare Ripa\u2019s Iconology <\/i>presenting a woman holding a mirror and a snake, a traditional attribute of Intelligence.<\/p>\n

                                The mirror has been in usage since the Middle Age and it signifies consciousness and the prediction of the future. This theme had a great success with clockmakers circle in the 18th<\/span> century and during several years. However, it was only lately identified: in 1884, Albert Jacquemart believed to see in it an allegory of truth. It was also thought as a representation of Cleopatra, especially due to the presence of the mirror, symbolism of beauty, and of the snake. An exemplar of this clock is described during the sale of the cCunt of Merle on March 1st, 1784, lot 217: \u201cA clock, striking the hours and half, by Baillon, accompagnied by a figure of a seated woman, well draped, a hand holding a mirror, the other a snake, and leaning on the clock ; the overall placed on a grooved plinth, a woman\u2019s mask, a garland of laurels and square, a gilt bronze lion\u2019s muzzle on a double blackened wooden plinth adorned with rosettes, mouldings and balls: height 12 inches 4 lines\u201d as well as in the inventory after the death of Jean-BaptisteMobilier et objets d\u2019art du XVIIIe si\u00e8cle <\/i><\/span>Baillon, valet de chambre-horloger ordinaire<\/i> of the dauphine MarieAntoinette, drawn up in 1772.<\/p>\n

                                Antoine Foullet (circa <\/i>1710-1775)<\/h3>\n

                                Antoine Foullet was received Master cabinetmaker in 1749 and became juror of his corporation in 1756. Specialised in the production of clock cases, he made longcase clock sheaths. From 1752, he closely collaborated with Jean-Joseph de Saint-Germain, Parisian founder well renowned in the realisation of clock cases. He nevertheless do not seem to have been limited to this type of production. He thus stamped several chests of drawers close to the ones stamped by his son, Pierre-Antoine Foullet, which presumes that the two men have been working together.<\/p>\n","value_formatted":"

                                An Allegory of Prudence<\/h3>\r\n

                                This model was designed by Antoine Foullet (circa<\/i> 1710-1775), a Parisian cabinetmaker and merchant. His drawing, dated from 1763, appears in the Livre de dessin de pendules<\/i>, published around 1765 under the title \u201cPieces for office, small Prudence, Foulet, color 275 gold pounds, gilding 187 gold pounds, golden price 462 gold pounds\u201d preserved at the Doucet Library and signed by the founder Pierre Antoine Foullet, with the inscription \u201cPiece for the office, Small Prudence\u201d. The theme of Prudence is illustrated here according to the description of Cesare Ripa\u2019s Iconology <\/i>presenting a woman holding a mirror and a snake, a traditional attribute of Intelligence.<\/p>\r\n

                                The mirror has been in usage since the Middle Age and it signifies consciousness and the prediction of the future. This theme had a great success with clockmakers circle in the 18th<\/span> century and during several years. However, it was only lately identified: in 1884, Albert Jacquemart believed to see in it an allegory of truth. It was also thought as a representation of Cleopatra, especially due to the presence of the mirror, symbolism of beauty, and of the snake. An exemplar of this clock is described during the sale of the cCunt of Merle on March 1st, 1784, lot 217: \u201cA clock, striking the hours and half, by Baillon, accompagnied by a figure of a seated woman, well draped, a hand holding a mirror, the other a snake, and leaning on the clock ; the overall placed on a grooved plinth, a woman\u2019s mask, a garland of laurels and square, a gilt bronze lion\u2019s muzzle on a double blackened wooden plinth adorned with rosettes, mouldings and balls: height 12 inches 4 lines\u201d as well as in the inventory after the death of Jean-BaptisteMobilier et objets d\u2019art du XVIIIe si\u00e8cle <\/i><\/span>Baillon, valet de chambre-horloger ordinaire<\/i> of the dauphine MarieAntoinette, drawn up in 1772.<\/p>\r\n\r\n

                                Antoine Foullet (circa <\/i>1710-1775)<\/h3>\r\n

                                Antoine Foullet was received Master cabinetmaker in 1749 and became juror of his corporation in 1756. Specialised in the production of clock cases, he made longcase clock sheaths. From 1752, he closely collaborated with Jean-Joseph de Saint-Germain, Parisian founder well renowned in the realisation of clock cases. He nevertheless do not seem to have been limited to this type of production. He thus stamped several chests of drawers close to the ones stamped by his son, Pierre-Antoine Foullet, which presumes that the two men have been working together.<\/p>","value":"

                                An Allegory of Prudence<\/h3>\r\n

                                This model was designed by Antoine Foullet (circa<\/i> 1710-1775), a Parisian cabinetmaker and merchant. His drawing, dated from 1763, appears in the Livre de dessin de pendules<\/i>, published around 1765 under the title \u201cPieces for office, small Prudence, Foulet, color 275 gold pounds, gilding 187 gold pounds, golden price 462 gold pounds\u201d preserved at the Doucet Library and signed by the founder Pierre Antoine Foullet, with the inscription \u201cPiece for the office, Small Prudence\u201d. The theme of Prudence is illustrated here according to the description of Cesare Ripa\u2019s Iconology <\/i>presenting a woman holding a mirror and a snake, a traditional attribute of Intelligence.<\/p>\r\n

                                The mirror has been in usage since the Middle Age and it signifies consciousness and the prediction of the future. This theme had a great success with clockmakers circle in the 18th<\/span> century and during several years. However, it was only lately identified: in 1884, Albert Jacquemart believed to see in it an allegory of truth. It was also thought as a representation of Cleopatra, especially due to the presence of the mirror, symbolism of beauty, and of the snake. An exemplar of this clock is described during the sale of the cCunt of Merle on March 1st, 1784, lot 217: \u201cA clock, striking the hours and half, by Baillon, accompagnied by a figure of a seated woman, well draped, a hand holding a mirror, the other a snake, and leaning on the clock ; the overall placed on a grooved plinth, a woman\u2019s mask, a garland of laurels and square, a gilt bronze lion\u2019s muzzle on a double blackened wooden plinth adorned with rosettes, mouldings and balls: height 12 inches 4 lines\u201d as well as in the inventory after the death of Jean-BaptisteMobilier et objets d\u2019art du XVIIIe si\u00e8cle <\/i><\/span>Baillon, valet de chambre-horloger ordinaire<\/i> of the dauphine MarieAntoinette, drawn up in 1772.<\/p>\r\n\r\n

                                Antoine Foullet (circa <\/i>1710-1775)<\/h3>\r\n

                                Antoine Foullet was received Master cabinetmaker in 1749 and became juror of his corporation in 1756. Specialised in the production of clock cases, he made longcase clock sheaths. From 1752, he closely collaborated with Jean-Joseph de Saint-Germain, Parisian founder well renowned in the realisation of clock cases. He nevertheless do not seem to have been limited to this type of production. He thus stamped several chests of drawers close to the ones stamped by his son, Pierre-Antoine Foullet, which presumes that the two men have been working together.<\/p>","field":{"ID":617,"key":"field_67e67ebc1f746","label":"Histoire de l'objet","name":"histoire_de_lobjet","aria-label":"","prefix":"acf","type":"wysiwyg","value":null,"menu_order":6,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"default_value":"","allow_in_bindings":0,"tabs":"all","toolbar":"full","media_upload":1,"delay":0,"wpml_cf_preferences":2,"_name":"histoire_de_lobjet","_valid":1}},"bibliographie":{"simple_value_formatted":"

                                Bibliography<\/h3>\n
                                  \n
                                • Emmanuel Ducamp (dir.), Pavlosk, Les collections,<\/i> Paris, Alain de Gourcuff, 1993, p. 184.<\/li>\n<\/ul>\n
                                    \n
                                  • Pierre Kjellberg, Encyclop\u00e9die de la pendule fran\u00e7aise du Moyen \u00c2ge au XXe si\u00e8cle<\/i>, Paris, Les \u00c9ditions de l\u2019amateur, 1997.<\/li>\n<\/ul>\n
                                      \n
                                    • Elke Nieh\u00fcser, French Bronze Clocks, <\/i>Atglen, Schiffer, 1999.<\/li>\n<\/ul>\n
                                        \n
                                      • Hans Ottomeyer et Peter Pr\u00f6schel, Vergoldete Bronzen, Die Bronzearbeiten des Sp\u00e4tbarock <\/i>und Klassizismus<\/i>, M\u00fcnchen, Klinkhardt & Biermann, 1986, p.162.<\/li>\n<\/ul>\n
                                          \n
                                        • Tardy, La pendule fran\u00e7aise dans le monde,<\/i> Paris, Tardy, 1994 (7e \u00e9dition revue et compl\u00e9t\u00e9e).<\/li>\n<\/ul>\n
                                            \n
                                          • Pierre Verlet, Les Bronzes dor\u00e9s du xviii<\/span>e si\u00e8cle<\/i>, Paris, Picard, 1999 (2e \u00e9dition).<\/li>\n<\/ul>\n
                                              \n
                                            • D\u2019apr\u00e8s Fran\u00e7ois Vion, d\u2019apr\u00e8s Robert Osmond, d\u2019apr\u00e8s Pierre-Antoine Foullet, d\u2019apr\u00e8s Jean Joseph de Saint-Germain, d\u2019apr\u00e8s Charles Grimpelle, d\u2019apr\u00e8s Balthazar Lieutaud, Recueil de <\/i>desseins. Mod\u00e8les de pendules<\/i>, 1755-1780, Biblioth\u00e8que d\u2019Art et d\u2019Arch\u00e9ologie Jacques Doucet, Biblioth\u00e8que nationale de France (inv. vi e<\/span> 15 R\u00e9s, folio 34).<\/li>\n<\/ul>\n","value_formatted":"

                                              Bibliography<\/h3>\r\n
                                                \r\n \t
                                              • Emmanuel Ducamp (dir.), Pavlosk, Les collections,<\/i> Paris, Alain de Gourcuff, 1993, p. 184.<\/li>\r\n<\/ul>\r\n
                                                  \r\n \t
                                                • Pierre Kjellberg, Encyclop\u00e9die de la pendule fran\u00e7aise du Moyen \u00c2ge au XXe si\u00e8cle<\/i>, Paris, Les \u00c9ditions de l\u2019amateur, 1997.<\/li>\r\n<\/ul>\r\n
                                                    \r\n \t
                                                  • Elke Nieh\u00fcser, French Bronze Clocks, <\/i>Atglen, Schiffer, 1999.<\/li>\r\n<\/ul>\r\n
                                                      \r\n \t
                                                    • Hans Ottomeyer et Peter Pr\u00f6schel, Vergoldete Bronzen, Die Bronzearbeiten des Sp\u00e4tbarock <\/i>und Klassizismus<\/i>, M\u00fcnchen, Klinkhardt & Biermann, 1986, p.162.<\/li>\r\n<\/ul>\r\n
                                                        \r\n \t
                                                      • Tardy, La pendule fran\u00e7aise dans le monde,<\/i> Paris, Tardy, 1994 (7e \u00e9dition revue et compl\u00e9t\u00e9e).<\/li>\r\n<\/ul>\r\n
                                                          \r\n \t
                                                        • Pierre Verlet, Les Bronzes dor\u00e9s du xviii<\/span>e si\u00e8cle<\/i>, Paris, Picard, 1999 (2e \u00e9dition).<\/li>\r\n<\/ul>\r\n
                                                            \r\n \t
                                                          • D\u2019apr\u00e8s Fran\u00e7ois Vion, d\u2019apr\u00e8s Robert Osmond, d\u2019apr\u00e8s Pierre-Antoine Foullet, d\u2019apr\u00e8s Jean Joseph de Saint-Germain, d\u2019apr\u00e8s Charles Grimpelle, d\u2019apr\u00e8s Balthazar Lieutaud, Recueil de <\/i>desseins. Mod\u00e8les de pendules<\/i>, 1755-1780, Biblioth\u00e8que d\u2019Art et d\u2019Arch\u00e9ologie Jacques Doucet, Biblioth\u00e8que nationale de France (inv. vi e<\/span> 15 R\u00e9s, folio 34).<\/li>\r\n<\/ul>","value":"

                                                            Bibliography<\/h3>\r\n
                                                              \r\n \t
                                                            • Emmanuel Ducamp (dir.), Pavlosk, Les collections,<\/i> Paris, Alain de Gourcuff, 1993, p. 184.<\/li>\r\n<\/ul>\r\n
                                                                \r\n \t
                                                              • Pierre Kjellberg, Encyclop\u00e9die de la pendule fran\u00e7aise du Moyen \u00c2ge au XXe si\u00e8cle<\/i>, Paris, Les \u00c9ditions de l\u2019amateur, 1997.<\/li>\r\n<\/ul>\r\n
                                                                  \r\n \t
                                                                • Elke Nieh\u00fcser, French Bronze Clocks, <\/i>Atglen, Schiffer, 1999.<\/li>\r\n<\/ul>\r\n
                                                                    \r\n \t
                                                                  • Hans Ottomeyer et Peter Pr\u00f6schel, Vergoldete Bronzen, Die Bronzearbeiten des Sp\u00e4tbarock <\/i>und Klassizismus<\/i>, M\u00fcnchen, Klinkhardt & Biermann, 1986, p.162.<\/li>\r\n<\/ul>\r\n
                                                                      \r\n \t
                                                                    • Tardy, La pendule fran\u00e7aise dans le monde,<\/i> Paris, Tardy, 1994 (7e \u00e9dition revue et compl\u00e9t\u00e9e).<\/li>\r\n<\/ul>\r\n
                                                                        \r\n \t
                                                                      • Pierre Verlet, Les Bronzes dor\u00e9s du xviii<\/span>e si\u00e8cle<\/i>, Paris, Picard, 1999 (2e \u00e9dition).<\/li>\r\n<\/ul>\r\n
                                                                          \r\n \t
                                                                        • D\u2019apr\u00e8s Fran\u00e7ois Vion, d\u2019apr\u00e8s Robert Osmond, d\u2019apr\u00e8s Pierre-Antoine Foullet, d\u2019apr\u00e8s Jean Joseph de Saint-Germain, d\u2019apr\u00e8s Charles Grimpelle, d\u2019apr\u00e8s Balthazar Lieutaud, Recueil de <\/i>desseins. Mod\u00e8les de pendules<\/i>, 1755-1780, Biblioth\u00e8que d\u2019Art et d\u2019Arch\u00e9ologie Jacques Doucet, Biblioth\u00e8que nationale de France (inv. vi e<\/span> 15 R\u00e9s, folio 34).<\/li>\r\n<\/ul>","field":{"ID":780,"key":"field_67f660ee47359","label":"Bibliographie","name":"bibliographie","aria-label":"","prefix":"acf","type":"wysiwyg","value":null,"menu_order":7,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"wp-typography":"content","default_value":"","tabs":"all","toolbar":"full","media_upload":1,"delay":0,"wpml_cf_preferences":2,"_name":"bibliographie","_valid":1}},"etat_de_lobjet":{"simple_value_formatted":"","value_formatted":"","value":"","field":{"ID":618,"key":"field_67e67ee61f747","label":"\u00c9tat de l'objet","name":"etat_de_lobjet","aria-label":"","prefix":"acf","type":"wysiwyg","value":null,"menu_order":8,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"default_value":"","allow_in_bindings":0,"tabs":"all","toolbar":"full","media_upload":1,"delay":0,"wpml_cf_preferences":2,"_name":"etat_de_lobjet","_valid":1}},"informations_complementaires":{"simple_value_formatted":"","value_formatted":"","value":"","field":{"ID":619,"key":"field_67e67efb1f748","label":"Informations compl\u00e9mentaires","name":"informations_complementaires","aria-label":"","prefix":"acf","type":"wysiwyg","value":null,"menu_order":9,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"default_value":"","allow_in_bindings":0,"tabs":"all","toolbar":"full","media_upload":1,"delay":0,"wpml_cf_preferences":2,"_name":"informations_complementaires","_valid":1}},"":{"simple_value_formatted":"","value_formatted":"","value":"","field":{"ID":785,"key":"field_67f6616f4735e","label":"","name":"","aria-label":"","prefix":"acf","type":"text","value":null,"menu_order":10,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"wp-typography":"title","default_value":"","maxlength":"","placeholder":"","prepend":"","append":"","wpml_cf_preferences":2,"_name":"","_valid":1}}},"mb":[],"mfb_rest_fields":["title"],"_links":{"self":[{"href":"https:\/\/youngcollectors.galerieleage.com\/en\/wp-json\/wp\/v2\/product\/1064","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/youngcollectors.galerieleage.com\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/youngcollectors.galerieleage.com\/en\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/youngcollectors.galerieleage.com\/en\/wp-json\/wp\/v2\/media\/1025"}],"wp:attachment":[{"href":"https:\/\/youngcollectors.galerieleage.com\/en\/wp-json\/wp\/v2\/media?parent=1064"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/youngcollectors.galerieleage.com\/en\/wp-json\/wp\/v2\/product_brand?post=1064"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/youngcollectors.galerieleage.com\/en\/wp-json\/wp\/v2\/product_cat?post=1064"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/youngcollectors.galerieleage.com\/en\/wp-json\/wp\/v2\/product_tag?post=1064"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}