{"id":1095,"date":"2025-04-01T16:15:32","date_gmt":"2025-04-01T14:15:32","guid":{"rendered":"https:\/\/youngcollectors.galerieleage.com\/?post_type=product&#038;p=1095"},"modified":"2025-05-22T13:51:49","modified_gmt":"2025-05-22T11:51:49","slug":"meedaillon-in-compigne-painting-representing-a-river-dominated-by-a-paddlewheel-mill","status":"publish","type":"product","link":"https:\/\/youngcollectors.galerieleage.com\/en\/object\/meedaillon-in-compigne-painting-representing-a-river-dominated-by-a-paddlewheel-mill\/","title":{"rendered":"Medaillon in Compign\u00e9 representing a river dominated by a paddlewheel mill"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":996,"template":"","meta":{"_acf_changed":false,"wp_typography_post_enhancements_disabled":false,"_yc_description_objet":"","_yc_histoire_objet":"","_yc_etat_objet":""},"product_brand":[],"product_cat":[],"product_tag":[],"class_list":{"0":"post-1095","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","7":"first","8":"instock","9":"sold-individually","10":"taxable","11":"shipping-taxable","12":"purchasable","13":"product-type-simple"},"acf":{"cartel":{"simple_value_formatted":"<p style=\"font-weight: 400;text-align: center\">France, second half of the 18th century<\/p>\n<p style=\"font-weight: 400;text-align: center\">Attributed to <strong>Thomas Compign\u00e9<\/strong><\/p>\n<p style=\"font-weight: 400;text-align: center\">Pewter, gold, silver, gouache, colored varnishes<\/p>\n<p style=\"font-weight: 400;text-align: 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lang=\"EN-US\">This small medallion in stamped pewter leaf, enhanced with gold, gouache and colored varnish, depicts a landscape scene. In the left foreground, an undulating tree dominates the composition. At the foot of the tree, a couple are seated near a stream. They slightly overlook a second standing couple, accompanied by a child, dominated on the right by a seated man. The river behind is the setting for various activities. Thus, in the background on the right, two figures on a boat moor to the shore, while the composition is dominated behind by an imposing paddlewheel mill whose various details are subtly rendered by micro-engravings stamped in pewter and enhanced with gold. A second building can be seen behind this mill, with its imposing roof highlighted in bluish silver. Two figures on the shoreline reveal the silhouette of a village in the distance, dominated by a bell tower. The sky unfolds against a pinkish, then bluish and cloudy background.<\/span><\/div>\n","value_formatted":"<div><\/div>\r\n<div><\/div>\r\n<div><span lang=\"EN-US\">This small medallion in stamped pewter leaf, enhanced with gold, gouache and colored varnish, depicts a landscape scene. In the left foreground, an undulating tree dominates the composition. At the foot of the tree, a couple are seated near a stream. They slightly overlook a second standing couple, accompanied by a child, dominated on the right by a seated man. The river behind is the setting for various activities. Thus, in the background on the right, two figures on a boat moor to the shore, while the composition is dominated behind by an imposing paddlewheel mill whose various details are subtly rendered by micro-engravings stamped in pewter and enhanced with gold. A second building can be seen behind this mill, with its imposing roof highlighted in bluish silver. 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A second building can be seen behind this mill, with its imposing roof highlighted in bluish silver. Two figures on the shoreline reveal the silhouette of a village in the distance, dominated by a bell tower. The sky unfolds against a pinkish, then bluish and cloudy background.<\/span><\/div>","field":{"ID":615,"key":"field_67e67d7bae7bc","label":"Description de l'objet","name":"description_de_lobjet","aria-label":"","prefix":"acf","type":"wysiwyg","value":null,"menu_order":5,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"default_value":"","tabs":"all","toolbar":"full","media_upload":1,"delay":0,"wpml_cf_preferences":2,"_name":"description_de_lobjet","_valid":1}},"histoire_de_lobjet":{"simple_value_formatted":"<h3 style=\"font-weight: 400\">Paintings in Compign\u00e9<\/h3>\n<p style=\"font-weight: 400\">Of great preciousity and variety of materials, the paintings in <em>Compign\u00e9<\/em> were made according to a mysterious process starting from a sheet of tortoiseshell or carboard paper to which a pewter or gold leaf was applied. The surface could then be decorated with gold, silver, gouache and coloured varnishes. These \u201cminiatures\u201d, known today under the name of <em>Compign\u00e9,<\/em> had a great success in the 1760s.The small format, characteristic of this production, required to work in extreme precision, probably with the help of a magnifying glass, to develop the perfection of these technical details and colours.<\/p>\n<h3 style=\"font-weight: 400\">Thomas Compign\u00e9<\/h3>\n<p style=\"font-weight: 400\">Arrived from Italy, probably around 1750, Thomas Compigni took the name Compign\u00e9 when he settled under the sign of \u201c<em>Roi David\u201d, Rue Greneta<\/em>, in Paris. As an ivory turner, he specialised in the manufacture and sale of boxes, knitting sets, draughts and chess sets, snuffboxes and other cane handles of blond tortoiseshell inlaid with gold. Renowned for the quality of his objects, he passed on to posterity through the production of precious paintings whose technique remains mysterious today. In 1773, he presented two views of the <em>Ch\u00e2teau de Saint-Hubert <\/em>to the King and obtained the title of \u201c<em>tabletier privil\u00e9gi\u00e9 du Roi<\/em>\u201d under Louis <span style=\"font-variant: small-caps\">xv<\/span> and Louis <span style=\"font-variant: small-caps\">xvi<\/span>. His preferred themes are most often views of towns, monuments and castles from the perspective of parks or landscapes animated by small characters.<\/p>\n","value_formatted":"<h3 style=\"font-weight: 400\">Paintings in Compign\u00e9<\/h3>\r\n<p style=\"font-weight: 400\">Of great preciousity and variety of materials, the paintings in <em>Compign\u00e9<\/em> were made according to a mysterious process starting from a sheet of tortoiseshell or carboard paper to which a pewter or gold leaf was applied. The surface could then be decorated with gold, silver, gouache and coloured varnishes. These \u201cminiatures\u201d, known today under the name of <em>Compign\u00e9,<\/em> had a great success in the 1760s.The small format, characteristic of this production, required to work in extreme precision, probably with the help of a magnifying glass, to develop the perfection of these technical details and colours.<\/p>\r\n\r\n<h3 style=\"font-weight: 400\">Thomas Compign\u00e9<\/h3>\r\n<p style=\"font-weight: 400\">Arrived from Italy, probably around 1750, Thomas Compigni took the name Compign\u00e9 when he settled under the sign of \u201c<em>Roi David\u201d, Rue Greneta<\/em>, in Paris. As an ivory turner, he specialised in the manufacture and sale of boxes, knitting sets, draughts and chess sets, snuffboxes and other cane handles of blond tortoiseshell inlaid with gold. Renowned for the quality of his objects, he passed on to posterity through the production of precious paintings whose technique remains mysterious today. In 1773, he presented two views of the <em>Ch\u00e2teau de Saint-Hubert <\/em>to the King and obtained the title of \u201c<em>tabletier privil\u00e9gi\u00e9 du Roi<\/em>\u201d under Louis <span style=\"font-variant: small-caps\">xv<\/span> and Louis <span style=\"font-variant: small-caps\">xvi<\/span>. His preferred themes are most often views of towns, monuments and castles from the perspective of parks or landscapes animated by small characters.<\/p>","value":"<h3 style=\"font-weight: 400\">Paintings in Compign\u00e9<\/h3>\r\n<p style=\"font-weight: 400\">Of great preciousity and variety of materials, the paintings in <em>Compign\u00e9<\/em> were made according to a mysterious process starting from a sheet of tortoiseshell or carboard paper to which a pewter or gold leaf was applied. The surface could then be decorated with gold, silver, gouache and coloured varnishes. These \u201cminiatures\u201d, known today under the name of <em>Compign\u00e9,<\/em> had a great success in the 1760s.The small format, characteristic of this production, required to work in extreme precision, probably with the help of a magnifying glass, to develop the perfection of these technical details and colours.<\/p>\r\n\r\n<h3 style=\"font-weight: 400\">Thomas Compign\u00e9<\/h3>\r\n<p style=\"font-weight: 400\">Arrived from Italy, probably around 1750, Thomas Compigni took the name Compign\u00e9 when he settled under the sign of \u201c<em>Roi David\u201d, Rue Greneta<\/em>, in Paris. As an ivory turner, he specialised in the manufacture and sale of boxes, knitting sets, draughts and chess sets, snuffboxes and other cane handles of blond tortoiseshell inlaid with gold. Renowned for the quality of his objects, he passed on to posterity through the production of precious paintings whose technique remains mysterious today. In 1773, he presented two views of the <em>Ch\u00e2teau de Saint-Hubert <\/em>to the King and obtained the title of \u201c<em>tabletier privil\u00e9gi\u00e9 du Roi<\/em>\u201d under Louis <span style=\"font-variant: small-caps\">xv<\/span> and Louis <span style=\"font-variant: small-caps\">xvi<\/span>. His preferred themes are most often views of towns, monuments and castles from the perspective of parks or landscapes animated by small characters.<\/p>","field":{"ID":617,"key":"field_67e67ebc1f746","label":"Histoire de l'objet","name":"histoire_de_lobjet","aria-label":"","prefix":"acf","type":"wysiwyg","value":null,"menu_order":6,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"default_value":"","allow_in_bindings":0,"tabs":"all","toolbar":"full","media_upload":1,"delay":0,"wpml_cf_preferences":2,"_name":"histoire_de_lobjet","_valid":1}},"bibliographie":{"simple_value_formatted":"<h3 style=\"font-weight: 400\">Bibliography\u00a0:<\/h3>\n<ul>\n<li style=\"font-weight: 400\">Plaisir de France, \u00ab Les Compign\u00e9s et leurs cr\u00e9ateurs, ces d\u00e9licats chefs-d\u2019\u0153uvre de la tabletterie au <span style=\"font-variant: small-caps\">xviii<\/span><sup>e<\/sup> si\u00e8cle \u00bb, n\u00b0 427, 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style=\"font-weight: 400\">Plaisir de France, \u00ab Les Compign\u00e9s et leurs cr\u00e9ateurs, ces d\u00e9licats chefs-d\u2019\u0153uvre de la tabletterie au <span style=\"font-variant: small-caps\">xviii<\/span><sup>e<\/sup> si\u00e8cle \u00bb, n\u00b0 427, March 1975.<\/li>\r\n<\/ul>\r\n<ul>\r\n \t<li><em style=\"font-weight: 400\">Compign\u00e9, peintre et tabletier du Roy<\/em><span style=\"font-weight: 400\">, catalogue d\u2019exposition, Grasse, Villa-Mus\u00e9e Jean-Honor\u00e9 Fragonard, June-July 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