{"id":1104,"date":"2025-04-01T16:15:19","date_gmt":"2025-04-01T14:15:19","guid":{"rendered":"https:\/\/youngcollectors.galerieleage.com\/?post_type=product&#038;p=1104"},"modified":"2025-05-21T11:08:32","modified_gmt":"2025-05-21T09:08:32","slug":"medallion-in-compigne-painting-representing-a-village-scene","status":"publish","type":"product","link":"https:\/\/youngcollectors.galerieleage.com\/en\/object\/medallion-in-compigne-painting-representing-a-village-scene\/","title":{"rendered":"Medallion in compign\u00e9 painting representing a village scene"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":948,"template":"","meta":{"_acf_changed":false,"wp_typography_post_enhancements_disabled":false,"_yc_description_objet":"","_yc_histoire_objet":"","_yc_etat_objet":""},"product_brand":[],"product_cat":[],"product_tag":[],"class_list":{"0":"post-1104","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","7":"first","8":"instock","9":"sold-individually","10":"taxable","11":"shipping-taxable","12":"purchasable","13":"product-type-simple"},"acf":{"cartel":{"simple_value_formatted":"<p style=\"font-weight: 400;text-align: center\">France, second half of the 18<sup>th<\/sup> century<\/p>\n<p style=\"font-weight: 400;text-align: center\">Attributed to Thomas Compign\u00e9<\/p>\n<p style=\"font-weight: 400;text-align: center\">Pewter and silver<\/p>\n<p style=\"font-weight: 400;text-align: center\">Gouache, coloured varnishes<\/p>\n","value_formatted":"<p style=\"font-weight: 400;text-align: center\">France, second half of the 18<sup>th<\/sup> century<\/p>\r\n<p style=\"font-weight: 400;text-align: center\">Attributed to Thomas Compign\u00e9<\/p>\r\n<p style=\"font-weight: 400;text-align: center\">Pewter and silver<\/p>\r\n<p style=\"font-weight: 400;text-align: center\">Gouache, coloured varnishes<\/p>","value":"<p style=\"font-weight: 400;text-align: center\">France, second half of the 18<sup>th<\/sup> century<\/p>\r\n<p style=\"font-weight: 400;text-align: center\">Attributed to Thomas Compign\u00e9<\/p>\r\n<p style=\"font-weight: 400;text-align: center\">Pewter and silver<\/p>\r\n<p style=\"font-weight: 400;text-align: center\">Gouache, coloured varnishes<\/p>","field":{"ID":781,"key":"field_67f661144735a","label":"Cartel","name":"cartel","aria-label":"","prefix":"acf","type":"wysiwyg","value":null,"menu_order":0,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"wp-typography":"content","default_value":"","tabs":"all","toolbar":"full","media_upload":1,"delay":0,"wpml_cf_preferences":2,"_name":"cartel","_valid":1}},"dimensions":{"simple_value_formatted":"<p>&nbsp;<\/p>\n<p style=\"font-weight: 400;text-align: center\">Diameter: 17,2 cm \u2013 6 5\/8 inches<\/p>\n<p style=\"font-weight: 400;text-align: center\">Diameter (with frame): 17,8 cm \u2013 7 inches<\/p>\n","value_formatted":"&nbsp;\r\n<p style=\"font-weight: 400;text-align: center\">Diameter: 17,2 cm \u2013 6 5\/8 inches<\/p>\r\n<p style=\"font-weight: 400;text-align: center\">Diameter (with frame): 17,8 cm \u2013 7 inches<\/p>","value":"&nbsp;\r\n<p style=\"font-weight: 400;text-align: center\">Diameter: 17,2 cm \u2013 6 5\/8 inches<\/p>\r\n<p style=\"font-weight: 400;text-align: center\">Diameter (with frame): 17,8 cm \u2013 7 inches<\/p>","field":{"ID":782,"key":"field_67f661254735b","label":"Dimensions","name":"dimensions","aria-label":"","prefix":"acf","type":"wysiwyg","value":null,"menu_order":1,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"wpml_cf_preferences":2,"wp-typography":"content","default_value":"","tabs":"all","toolbar":"full","media_upload":1,"delay":0,"_name":"dimensions","_valid":1}},"exemples_comparables":{"simple_value_formatted":"<h3 style=\"font-weight: 400\">Similar example:<\/h3>\n<ul>\n<li>Thomas Compign\u00e9, <em>Landscape<\/em>, end of the 18<sup>th<\/sup> century, Paris, Mus\u00e9e des Arts D\u00e9coratifs (inv. 31175)<\/li>\n<\/ul>\n","value_formatted":"<h3 style=\"font-weight: 400\">Similar example:<\/h3>\r\n<ul>\r\n \t<li>Thomas Compign\u00e9, <em>Landscape<\/em>, end of the 18<sup>th<\/sup> century, Paris, Mus\u00e9e des Arts D\u00e9coratifs (inv. 31175)<\/li>\r\n<\/ul>","value":"<h3 style=\"font-weight: 400\">Similar example:<\/h3>\r\n<ul>\r\n \t<li>Thomas Compign\u00e9, <em>Landscape<\/em>, end of the 18<sup>th<\/sup> century, Paris, Mus\u00e9e des Arts D\u00e9coratifs (inv. 31175)<\/li>\r\n<\/ul>","field":{"ID":783,"key":"field_67f661484735c","label":"Exemples 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lang=\"EN-GB\">This small medallion, in pewter leaf embossed and enhanced with silver, gouache and coloured varnishes, depicts a village scene. In the foreground on the left, a tree with undulating forms dominates the composition. At the foot of the tree, sits a shepherd tending his herd near a stream.\u00a0 On the right of the background, on the outskirts of a downhill town, villagers are gathered for a festive event that might be a Maypole ceremony: they dance in circle, around a tree decorated with a garland of flowers, to the rhythm of the instruments played by the musicians, one is perched on a bench, the other on a barrel. To the left of the circle of characters, others, including children, play altogether or join the popular dance. The sky unfolds in an off-white background and then turns blue and cloudy.<\/span><\/div>\n","value_formatted":"<div><\/div>\r\n<div><span lang=\"EN-GB\">This small medallion, in pewter leaf embossed and enhanced with silver, gouache and coloured varnishes, depicts a village scene. In the foreground on the left, a tree with undulating forms dominates the composition. At the foot of the tree, sits a shepherd tending his herd near a stream.\u00a0 On the right of the background, on the outskirts of a downhill town, villagers are gathered for a festive event that might be a Maypole ceremony: they dance in circle, around a tree decorated with a garland of flowers, to the rhythm of the instruments played by the musicians, one is perched on a bench, the other on a barrel. To the left of the circle of characters, others, including children, play altogether or join the popular dance. The sky unfolds in an off-white background and then turns blue and cloudy.<\/span><\/div>","value":"<div><\/div>\r\n<div><span lang=\"EN-GB\">This small medallion, in pewter leaf embossed and enhanced with silver, gouache and coloured varnishes, depicts a village scene. In the foreground on the left, a tree with undulating forms dominates the composition. At the foot of the tree, sits a shepherd tending his herd near a stream.\u00a0 On the right of the background, on the outskirts of a downhill town, villagers are gathered for a festive event that might be a Maypole ceremony: they dance in circle, around a tree decorated with a garland of flowers, to the rhythm of the instruments played by the musicians, one is perched on a bench, the other on a barrel. To the left of the circle of characters, others, including children, play altogether or join the popular dance. The sky unfolds in an off-white background and then turns blue and cloudy.<\/span><\/div>","field":{"ID":615,"key":"field_67e67d7bae7bc","label":"Description de l'objet","name":"description_de_lobjet","aria-label":"","prefix":"acf","type":"wysiwyg","value":null,"menu_order":5,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"default_value":"","tabs":"all","toolbar":"full","media_upload":1,"delay":0,"wpml_cf_preferences":2,"_name":"description_de_lobjet","_valid":1}},"histoire_de_lobjet":{"simple_value_formatted":"<h3 style=\"font-weight: 400\">Paintings in <em>Compign\u00e9 <\/em><\/h3>\n<p style=\"font-weight: 400\">Of great preciousity and variety of materials, the paintings in <em>Compign\u00e9<\/em> were made according to a mysterious process starting from a sheet of tortoiseshell or carboard paper to which a pewter or gold leaf was applied. The surface could then be decorated with gold, silver, gouache and coloured varnishes. These \u201cminiatures\u201d, known today under the name of <em>Compign\u00e9,<\/em> had a great success in the 1760s.The small format, characteristic of this production, required to work in extreme precision, probably with the help of a magnifying glass, to develop the perfection of these technical details and colours.<\/p>\n<h3 style=\"font-weight: 400\">Thomas Compign\u00e9<\/h3>\n<p><span style=\"font-weight: 400\">Arrived from Italy, probably around 1750, Thomas Compigni took the name Compign\u00e9 when he settled under the sign of \u201c<em>Roi David\u201d, Rue Greneta<\/em>, in Paris. As an ivory turner, he specialised in the manufacture and sale of boxes, knitting sets, draughts and chess sets, snuffboxes and other cane handles of blond tortoiseshell inlaid with gold. Renowned for the quality of his objects, he passed on to posterity through the production of precious paintings whose technique remains mysterious today. In 1773, he presented two views of the <em>Ch\u00e2teau de Saint-Hubert <\/em>to the King and obtained the title of \u201c<em>tabletier privil\u00e9gi\u00e9 du Roi<\/em>\u201d under Louis XV and Louis XVI. His preferred themes are most often views of towns, monuments and castles from the perspective of parks or landscapes animated by small characters. <\/span><\/p>\n","value_formatted":"<h3 style=\"font-weight: 400\">Paintings in <em>Compign\u00e9 <\/em><\/h3>\r\n<p style=\"font-weight: 400\">Of great preciousity and variety of materials, the paintings in <em>Compign\u00e9<\/em> were made according to a mysterious process starting from a sheet of tortoiseshell or carboard paper to which a pewter or gold leaf was applied. The surface could then be decorated with gold, silver, gouache and coloured varnishes. These \u201cminiatures\u201d, known today under the name of <em>Compign\u00e9,<\/em> had a great success in the 1760s.The small format, characteristic of this production, required to work in extreme precision, probably with the help of a magnifying glass, to develop the perfection of these technical details and colours.<\/p>\r\n\r\n<h3 style=\"font-weight: 400\">Thomas Compign\u00e9<\/h3>\r\n<span style=\"font-weight: 400\">Arrived from Italy, probably around 1750, Thomas Compigni took the name Compign\u00e9 when he settled under the sign of \u201c<em>Roi David\u201d, Rue Greneta<\/em>, in Paris. As an ivory turner, he specialised in the manufacture and sale of boxes, knitting sets, draughts and chess sets, snuffboxes and other cane handles of blond tortoiseshell inlaid with gold. Renowned for the quality of his objects, he passed on to posterity through the production of precious paintings whose technique remains mysterious today. In 1773, he presented two views of the <em>Ch\u00e2teau de Saint-Hubert <\/em>to the King and obtained the title of \u201c<em>tabletier privil\u00e9gi\u00e9 du Roi<\/em>\u201d under Louis XV and Louis XVI. His preferred themes are most often views of towns, monuments and castles from the perspective of parks or landscapes animated by small characters. <\/span>","value":"<h3 style=\"font-weight: 400\">Paintings in <em>Compign\u00e9 <\/em><\/h3>\r\n<p style=\"font-weight: 400\">Of great preciousity and variety of materials, the paintings in <em>Compign\u00e9<\/em> were made according to a mysterious process starting from a sheet of tortoiseshell or carboard paper to which a pewter or gold leaf was applied. The surface could then be decorated with gold, silver, gouache and coloured varnishes. These \u201cminiatures\u201d, known today under the name of <em>Compign\u00e9,<\/em> had a great success in the 1760s.The small format, characteristic of this production, required to work in extreme precision, probably with the help of a magnifying glass, to develop the perfection of these technical details and colours.<\/p>\r\n\r\n<h3 style=\"font-weight: 400\">Thomas Compign\u00e9<\/h3>\r\n<span style=\"font-weight: 400\">Arrived from Italy, probably around 1750, Thomas Compigni took the name Compign\u00e9 when he settled under the sign of \u201c<em>Roi David\u201d, Rue Greneta<\/em>, in Paris. As an ivory turner, he specialised in the manufacture and sale of boxes, knitting sets, draughts and chess sets, snuffboxes and other cane handles of blond tortoiseshell inlaid with gold. Renowned for the quality of his objects, he passed on to posterity through the production of precious paintings whose technique remains mysterious today. In 1773, he presented two views of the <em>Ch\u00e2teau de Saint-Hubert <\/em>to the King and obtained the title of \u201c<em>tabletier privil\u00e9gi\u00e9 du Roi<\/em>\u201d under Louis XV and Louis XVI. His preferred themes are most often views of towns, monuments and castles from the perspective of parks or landscapes animated by small characters. <\/span>","field":{"ID":617,"key":"field_67e67ebc1f746","label":"Histoire de l'objet","name":"histoire_de_lobjet","aria-label":"","prefix":"acf","type":"wysiwyg","value":null,"menu_order":6,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"default_value":"","allow_in_bindings":0,"tabs":"all","toolbar":"full","media_upload":1,"delay":0,"wpml_cf_preferences":2,"_name":"histoire_de_lobjet","_valid":1}},"bibliographie":{"simple_value_formatted":"<h3 style=\"font-weight: 400\">Bibliography\u00a0:<\/h3>\n<ul>\n<li style=\"font-weight: 400\">Plaisir de France, \u00ab\u00a0Les Compign\u00e9s et leurs cr\u00e9ateurs, ces d\u00e9licats chefs-d\u2019\u0153uvre de la tabletterie au XVIIIe si\u00e8cle\u00a0\u00bb, n\u00b0 427, March 1975.<\/li>\n<\/ul>\n<ul>\n<li><em style=\"font-weight: 400\">Compign\u00e9, peintre et tabletier du Roy<\/em><span style=\"font-weight: 400\"> exhibition catalogue, Grasse, Villa-Mus\u00e9e Jean-Honor\u00e9 Fragonard, June-July 1991.<\/span><\/li>\n<\/ul>\n","value_formatted":"<h3 style=\"font-weight: 400\">Bibliography\u00a0:<\/h3>\r\n<ul>\r\n \t<li style=\"font-weight: 400\">Plaisir de France, \u00ab\u00a0Les Compign\u00e9s et leurs cr\u00e9ateurs, ces d\u00e9licats chefs-d\u2019\u0153uvre de la tabletterie au XVIIIe si\u00e8cle\u00a0\u00bb, n\u00b0 427, March 1975.<\/li>\r\n<\/ul>\r\n<ul>\r\n \t<li><em style=\"font-weight: 400\">Compign\u00e9, peintre et tabletier du Roy<\/em><span style=\"font-weight: 400\"> exhibition catalogue, Grasse, Villa-Mus\u00e9e Jean-Honor\u00e9 Fragonard, June-July 1991.<\/span><\/li>\r\n<\/ul>","value":"<h3 style=\"font-weight: 400\">Bibliography\u00a0:<\/h3>\r\n<ul>\r\n \t<li style=\"font-weight: 400\">Plaisir de France, \u00ab\u00a0Les Compign\u00e9s et leurs cr\u00e9ateurs, ces d\u00e9licats chefs-d\u2019\u0153uvre de la tabletterie au XVIIIe si\u00e8cle\u00a0\u00bb, n\u00b0 427, March 1975.<\/li>\r\n<\/ul>\r\n<ul>\r\n \t<li><em style=\"font-weight: 400\">Compign\u00e9, peintre et tabletier du Roy<\/em><span style=\"font-weight: 400\"> exhibition catalogue, Grasse, Villa-Mus\u00e9e Jean-Honor\u00e9 Fragonard, June-July 1991.<\/span><\/li>\r\n<\/ul>","field":{"ID":780,"key":"field_67f660ee47359","label":"Bibliographie","name":"bibliographie","aria-label":"","prefix":"acf","type":"wysiwyg","value":null,"menu_order":7,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"wp-typography":"content","default_value":"","tabs":"all","toolbar":"full","media_upload":1,"delay":0,"wpml_cf_preferences":2,"_name":"bibliographie","_valid":1}},"etat_de_lobjet":{"simple_value_formatted":"","value_formatted":"","value":"","field":{"ID":618,"key":"field_67e67ee61f747","label":"\u00c9tat de 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