{"id":1113,"date":"2025-04-01T16:15:18","date_gmt":"2025-04-01T14:15:18","guid":{"rendered":"https:\/\/youngcollectors.galerieleage.com\/?post_type=product&p=1113"},"modified":"2025-05-22T14:31:29","modified_gmt":"2025-05-22T12:31:29","slug":"a-boulle-marquetery-toilet-mirror","status":"publish","type":"product","link":"https:\/\/youngcollectors.galerieleage.com\/en\/object\/a-boulle-marquetery-toilet-mirror\/","title":{"rendered":"Boulle marquetry toilet mirror"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":2439,"template":"","meta":{"_acf_changed":false,"wp_typography_post_enhancements_disabled":false,"_yc_description_objet":"","_yc_histoire_objet":"","_yc_etat_objet":""},"product_brand":[],"product_cat":[],"product_tag":[],"class_list":{"0":"post-1113","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","7":"first","8":"instock","9":"sold-individually","10":"taxable","11":"shipping-taxable","12":"purchasable","13":"product-type-simple"},"acf":{"cartel":{"simple_value_formatted":"

France, Louis xiv<\/span> period<\/p>\n

Boulle marquetry - brass, pewter and tortoiseshell<\/p>\n

Chased and gilt bronze<\/p>\n","value_formatted":"

France, Louis xiv<\/span> period<\/p>\r\n

Boulle marquetry - brass, pewter and tortoiseshell<\/p>\r\n

Chased and gilt bronze<\/p>","value":"

France, Louis xiv<\/span> period<\/p>\r\n

Boulle marquetry - brass, pewter and tortoiseshell<\/p>\r\n

Chased and gilt bronze<\/p>","field":{"ID":781,"key":"field_67f661144735a","label":"Cartel","name":"cartel","aria-label":"","prefix":"acf","type":"wysiwyg","value":null,"menu_order":0,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"wp-typography":"content","default_value":"","tabs":"all","toolbar":"full","media_upload":1,"delay":0,"wpml_cf_preferences":2,"_name":"cartel","_valid":1}},"dimensions":{"simple_value_formatted":"

 <\/p>\n

Height: 68 cm \u2013 27 inches<\/p>\n

Width: 52 cm \u2013 20 \u00bd inches<\/p>\n

Depth:\u00a0 5 cm \u2013 2 inches<\/p>\n

 <\/p>\n","value_formatted":" \r\n

Height: 68 cm \u2013 27 inches<\/p>\r\n

Width: 52 cm \u2013 20 \u00bd inches<\/p>\r\n

Depth:\u00a0 5 cm \u2013 2 inches<\/p>\r\n ","value":" \r\n

Height: 68 cm \u2013 27 inches<\/p>\r\n

Width: 52 cm \u2013 20 \u00bd inches<\/p>\r\n

Depth:\u00a0 5 cm \u2013 2 inches<\/p>\r\n ","field":{"ID":782,"key":"field_67f661254735b","label":"Dimensions","name":"dimensions","aria-label":"","prefix":"acf","type":"wysiwyg","value":null,"menu_order":1,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"wpml_cf_preferences":2,"wp-typography":"content","default_value":"","tabs":"all","toolbar":"full","media_upload":1,"delay":0,"_name":"dimensions","_valid":1}},"exemples_comparables":{"simple_value_formatted":"","value_formatted":"","value":"","field":{"ID":783,"key":"field_67f661484735c","label":"Exemples comparables","name":"exemples_comparables","aria-label":"","prefix":"acf","type":"wysiwyg","value":null,"menu_order":2,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"wp-typography":"content","default_value":"","tabs":"all","toolbar":"full","media_upload":1,"delay":0,"wpml_cf_preferences":2,"_name":"exemples_comparables","_valid":1}},"exemples_vraisemblablement_identiques":{"simple_value_formatted":"","value_formatted":"","value":"","field":{"ID":786,"key":"field_67f662067360c","label":"Exemples vraisemblablement identiques","name":"exemples_vraisemblablement_identiques","aria-label":"","prefix":"acf","type":"wysiwyg","value":null,"menu_order":3,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"wp-typography":"content","default_value":"","tabs":"all","toolbar":"full","media_upload":1,"delay":0,"wpml_cf_preferences":2,"_name":"exemples_vraisemblablement_identiques","_valid":1}},"publications":{"simple_value_formatted":"","value_formatted":"","value":"","field":{"ID":784,"key":"field_67f661604735d","label":"Publications","name":"publications","aria-label":"","prefix":"acf","type":"wysiwyg","value":null,"menu_order":4,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"wp-typography":"content","default_value":"","tabs":"all","toolbar":"full","media_upload":1,"delay":0,"wpml_cf_preferences":2,"_name":"publications","_valid":1}},"description_de_lobjet":{"simple_value_formatted":"

<\/div>\n
<\/div>\n
Rectangular in the lower part, this mirror has a double movement in the upper part and ends at the top with a curve. The marquetery of brass, pewter and tortoiseshell represents a drapery, framed by two gilt bronze rods and adorned with a chased and gilt bronze leaf pierced in each corner. At the top, there is an important leaf ornament of pierced bronze.
\nThe tulipwood veneered back has a support to lay the mirror and a ring at the top to hang it.<\/span><\/div>\n","value_formatted":"
<\/div>\r\n
<\/div>\r\n
Rectangular in the lower part, this mirror has a double movement in the upper part and ends at the top with a curve. The marquetery of brass, pewter and tortoiseshell represents a drapery, framed by two gilt bronze rods and adorned with a chased and gilt bronze leaf pierced in each corner. At the top, there is an important leaf ornament of pierced bronze.\r\nThe tulipwood veneered back has a support to lay the mirror and a ring at the top to hang it.<\/span><\/div>","value":"
<\/div>\r\n
<\/div>\r\n
Rectangular in the lower part, this mirror has a double movement in the upper part and ends at the top with a curve. The marquetery of brass, pewter and tortoiseshell represents a drapery, framed by two gilt bronze rods and adorned with a chased and gilt bronze leaf pierced in each corner. At the top, there is an important leaf ornament of pierced bronze.\r\nThe tulipwood veneered back has a support to lay the mirror and a ring at the top to hang it.<\/span><\/div>","field":{"ID":615,"key":"field_67e67d7bae7bc","label":"Description de l'objet","name":"description_de_lobjet","aria-label":"","prefix":"acf","type":"wysiwyg","value":null,"menu_order":5,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"default_value":"","tabs":"all","toolbar":"full","media_upload":1,"delay":0,"wpml_cf_preferences":2,"_name":"description_de_lobjet","_valid":1}},"histoire_de_lobjet":{"simple_value_formatted":"

Mirrors in the 17th<\/sup> century<\/h3>\n

At the end of the 15th century, the technique of making mirrors known as \"au mercure<\/em>\" appeared in Italy, on the island of Murano. It was the only method capable of producing high-quality mirrors of substantial size.<\/p>\n

A mixture of tin and mercury was applied hot onto a glass plate. This process was highly toxic and cost the lives of many workers. It was replaced in 1837 by the silverware technique and was eventually banned in 1850.<\/p>\n

The Republic of Venice jealously guarded its monopoly on these luxury objects, making their importation extremely expensive (30,000 old pounds per year).<\/p>\n

Wishing to make France self-sufficient in the arts and manufacturing, Jean-Baptiste Colbert, Minister of Finance under Louis xiv<\/span>, sent spies to Murano and brought Venetian craftsmen to the Faubourg Saint-Antoine<\/em> between 1665 and 1667 at great expense. These workers risked the death penalty from the Venetian Republique if they revealed the secret of mirror-making.<\/p>\n

It was during this time that the Manufacture Royale de glaces de miroirs<\/em> was created. It was relocated near Cherbourgin 1668, obtaining the exclusive privilege of manufacturing \"glasses of mirrors\u201d. Using the technique of \"verre blanc souffl\u00e9 en manchon<\/em> [blown white glass]\u201d, the Manufacture Royale<\/em> was from that point able to compete with Venetian productions.<\/p>\n

To obtain flat glass, craftsmen first blew the glass into a hollow bottle shape, called a \"sleeve\". The ends were cut off, then the cylinder was sliced lengthwise and unfolded to create a flat sheet of glass.<\/p>\n

With 357 exceptionally large mirrors made for the Galerie des Glaces, completed in 1684, Luxury \u00e0 la fran\u00e7aise<\/em> was firmly established. In 1695, the factory merged with another one located on the site of the former Ch\u00e2teau des Sires de Coucy<\/em>, in Saint-Gobain, in the Aisne region.<\/p>\n

By the end of Louis xiv<\/span>\u2019s reign, the mirror industry, led by the Manufacture royale de glaces de miroirs<\/em>,<\/em> was exporting mirrors across Europe, generating revenues equivalent to 300,000 to 400,000 livres old pounds per year. Thus, the Venetian monopoly was replaced by the French monopoly.<\/p>\n

The Manufacture royale de glaces de miroirs<\/em> lost its privileges during the Revolution. It later transformed into what is now Saint-Gobain.<\/p>\n

A miroir de toilette<\/em><\/h3>\n

The fashion for toilet services probably appeared during the first half of the 17th<\/sup> century at the French court. The word \u201ctoilet\u201d which first designated the cloth (the canvas) that covered the table where the care utensils were placed, gradually applied to the rite of changing the linen. Indeed, while public baths were frequent in the Middle Ages, they gradually disappeared during the Renaissance. Taking a bath then became a rare practice. Only a few large castles had \u201cbathing apartments\u201d and in the cities \u201cbathhouses\u201d.<\/p>\n

Scarce in the cities and often foul smelling, water was feared. The \u201cdry\u201d toilet developed gradually at this time, consisting in wiping oneself with soft and white fabrics, perfumes or ointments. Responding to these practices, more and more refined objects ended up constituting what we call from then on the \u201ctoilet services\u201d of which the mirror constitutes one of the major elements. Conceived to rest on a table, this mirror is provided with a support mounted at the back.<\/p>\n

The improvement of the manufacturing method of the glass mirror in the 17th<\/sup> century let to obtain larger and larger surfaces which were decorated with a luxurious frame.<\/p>\n","value_formatted":"

Mirrors in the 17th<\/sup> century<\/h3>\r\n

At the end of the 15th century, the technique of making mirrors known as \"au mercure<\/em>\" appeared in Italy, on the island of Murano. It was the only method capable of producing high-quality mirrors of substantial size.<\/p>\r\n

A mixture of tin and mercury was applied hot onto a glass plate. This process was highly toxic and cost the lives of many workers. It was replaced in 1837 by the silverware technique and was eventually banned in 1850.<\/p>\r\n

The Republic of Venice jealously guarded its monopoly on these luxury objects, making their importation extremely expensive (30,000 old pounds per year).<\/p>\r\n

Wishing to make France self-sufficient in the arts and manufacturing, Jean-Baptiste Colbert, Minister of Finance under Louis xiv<\/span>, sent spies to Murano and brought Venetian craftsmen to the Faubourg Saint-Antoine<\/em> between 1665 and 1667 at great expense. These workers risked the death penalty from the Venetian Republique if they revealed the secret of mirror-making.<\/p>\r\n

It was during this time that the Manufacture Royale de glaces de miroirs<\/em> was created. It was relocated near Cherbourgin 1668, obtaining the exclusive privilege of manufacturing \"glasses of mirrors\u201d. Using the technique of \"verre blanc souffl\u00e9 en manchon<\/em> [blown white glass]\u201d, the Manufacture Royale<\/em> was from that point able to compete with Venetian productions.<\/p>\r\n

To obtain flat glass, craftsmen first blew the glass into a hollow bottle shape, called a \"sleeve\". The ends were cut off, then the cylinder was sliced lengthwise and unfolded to create a flat sheet of glass.<\/p>\r\n

With 357 exceptionally large mirrors made for the Galerie des Glaces, completed in 1684, Luxury \u00e0 la fran\u00e7aise<\/em> was firmly established. In 1695, the factory merged with another one located on the site of the former Ch\u00e2teau des Sires de Coucy<\/em>, in Saint-Gobain, in the Aisne region.<\/p>\r\n

By the end of Louis xiv<\/span>\u2019s reign, the mirror industry, led by the Manufacture royale de glaces de miroirs<\/em>,<\/em> was exporting mirrors across Europe, generating revenues equivalent to 300,000 to 400,000 livres old pounds per year. Thus, the Venetian monopoly was replaced by the French monopoly.<\/p>\r\n

The Manufacture royale de glaces de miroirs<\/em> lost its privileges during the Revolution. It later transformed into what is now Saint-Gobain.<\/p>\r\n\r\n

A miroir de toilette<\/em><\/h3>\r\n

The fashion for toilet services probably appeared during the first half of the 17th<\/sup> century at the French court. The word \u201ctoilet\u201d which first designated the cloth (the canvas) that covered the table where the care utensils were placed, gradually applied to the rite of changing the linen. Indeed, while public baths were frequent in the Middle Ages, they gradually disappeared during the Renaissance. Taking a bath then became a rare practice. Only a few large castles had \u201cbathing apartments\u201d and in the cities \u201cbathhouses\u201d.<\/p>\r\n

Scarce in the cities and often foul smelling, water was feared. The \u201cdry\u201d toilet developed gradually at this time, consisting in wiping oneself with soft and white fabrics, perfumes or ointments. Responding to these practices, more and more refined objects ended up constituting what we call from then on the \u201ctoilet services\u201d of which the mirror constitutes one of the major elements. Conceived to rest on a table, this mirror is provided with a support mounted at the back.<\/p>\r\n

The improvement of the manufacturing method of the glass mirror in the 17th<\/sup> century let to obtain larger and larger surfaces which were decorated with a luxurious frame.<\/p>","value":"

Mirrors in the 17th<\/sup> century<\/h3>\r\n

At the end of the 15th century, the technique of making mirrors known as \"au mercure<\/em>\" appeared in Italy, on the island of Murano. It was the only method capable of producing high-quality mirrors of substantial size.<\/p>\r\n

A mixture of tin and mercury was applied hot onto a glass plate. This process was highly toxic and cost the lives of many workers. It was replaced in 1837 by the silverware technique and was eventually banned in 1850.<\/p>\r\n

The Republic of Venice jealously guarded its monopoly on these luxury objects, making their importation extremely expensive (30,000 old pounds per year).<\/p>\r\n

Wishing to make France self-sufficient in the arts and manufacturing, Jean-Baptiste Colbert, Minister of Finance under Louis xiv<\/span>, sent spies to Murano and brought Venetian craftsmen to the Faubourg Saint-Antoine<\/em> between 1665 and 1667 at great expense. These workers risked the death penalty from the Venetian Republique if they revealed the secret of mirror-making.<\/p>\r\n

It was during this time that the Manufacture Royale de glaces de miroirs<\/em> was created. It was relocated near Cherbourgin 1668, obtaining the exclusive privilege of manufacturing \"glasses of mirrors\u201d. Using the technique of \"verre blanc souffl\u00e9 en manchon<\/em> [blown white glass]\u201d, the Manufacture Royale<\/em> was from that point able to compete with Venetian productions.<\/p>\r\n

To obtain flat glass, craftsmen first blew the glass into a hollow bottle shape, called a \"sleeve\". The ends were cut off, then the cylinder was sliced lengthwise and unfolded to create a flat sheet of glass.<\/p>\r\n

With 357 exceptionally large mirrors made for the Galerie des Glaces, completed in 1684, Luxury \u00e0 la fran\u00e7aise<\/em> was firmly established. In 1695, the factory merged with another one located on the site of the former Ch\u00e2teau des Sires de Coucy<\/em>, in Saint-Gobain, in the Aisne region.<\/p>\r\n

By the end of Louis xiv<\/span>\u2019s reign, the mirror industry, led by the Manufacture royale de glaces de miroirs<\/em>,<\/em> was exporting mirrors across Europe, generating revenues equivalent to 300,000 to 400,000 livres old pounds per year. Thus, the Venetian monopoly was replaced by the French monopoly.<\/p>\r\n

The Manufacture royale de glaces de miroirs<\/em> lost its privileges during the Revolution. It later transformed into what is now Saint-Gobain.<\/p>\r\n\r\n

A miroir de toilette<\/em><\/h3>\r\n

The fashion for toilet services probably appeared during the first half of the 17th<\/sup> century at the French court. The word \u201ctoilet\u201d which first designated the cloth (the canvas) that covered the table where the care utensils were placed, gradually applied to the rite of changing the linen. Indeed, while public baths were frequent in the Middle Ages, they gradually disappeared during the Renaissance. Taking a bath then became a rare practice. Only a few large castles had \u201cbathing apartments\u201d and in the cities \u201cbathhouses\u201d.<\/p>\r\n

Scarce in the cities and often foul smelling, water was feared. The \u201cdry\u201d toilet developed gradually at this time, consisting in wiping oneself with soft and white fabrics, perfumes or ointments. Responding to these practices, more and more refined objects ended up constituting what we call from then on the \u201ctoilet services\u201d of which the mirror constitutes one of the major elements. Conceived to rest on a table, this mirror is provided with a support mounted at the back.<\/p>\r\n

The improvement of the manufacturing method of the glass mirror in the 17th<\/sup> century let to obtain larger and larger surfaces which were decorated with a luxurious frame.<\/p>","field":{"ID":617,"key":"field_67e67ebc1f746","label":"Histoire de l'objet","name":"histoire_de_lobjet","aria-label":"","prefix":"acf","type":"wysiwyg","value":null,"menu_order":6,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"default_value":"","allow_in_bindings":0,"tabs":"all","toolbar":"full","media_upload":1,"delay":0,"wpml_cf_preferences":2,"_name":"histoire_de_lobjet","_valid":1}},"bibliographie":{"simple_value_formatted":"

Bibliography<\/h3>\n
    \n
  • Graham Child, Les miroirs, 1650-1900,<\/em> Paris, Flammarion, 1990.<\/li>\n<\/ul>\n
      \n
    • Nicolas Courtin, L\u2019art d\u2019habiter \u00e0 Paris au xvii<\/span>e<\/sup> si\u00e8cle<\/em>, Paris, \u00c9ditions Faton, 2011.<\/li>\n<\/ul>\n
        \n
      • Nadeije Laneyre-Dagen, Georges Vigarello, La toilette, La naissance de l\u2019intime,<\/em> catalogue d\u2019exposition Mus\u00e9e Marmottan, 2015.<\/li>\n<\/ul>\n
          \n
        • Georges Vigarello, Le propre et le sale\u00a0: l\u2019hygi\u00e8ne du corps depuis le <\/em>Moyen \u00c2ge, Paris, Seuil, 1985.<\/li>\n<\/ul>\n","value_formatted":"

          Bibliography<\/h3>\r\n
            \r\n \t
          • Graham Child, Les miroirs, 1650-1900,<\/em> Paris, Flammarion, 1990.<\/li>\r\n<\/ul>\r\n
              \r\n \t
            • Nicolas Courtin, L\u2019art d\u2019habiter \u00e0 Paris au xvii<\/span>e<\/sup> si\u00e8cle<\/em>, Paris, \u00c9ditions Faton, 2011.<\/li>\r\n<\/ul>\r\n
                \r\n \t
              • Nadeije Laneyre-Dagen, Georges Vigarello, La toilette, La naissance de l\u2019intime,<\/em> catalogue d\u2019exposition Mus\u00e9e Marmottan, 2015.<\/li>\r\n<\/ul>\r\n
                  \r\n \t
                • Georges Vigarello, Le propre et le sale\u00a0: l\u2019hygi\u00e8ne du corps depuis le <\/em>Moyen \u00c2ge, Paris, Seuil, 1985.<\/li>\r\n<\/ul>","value":"

                  Bibliography<\/h3>\r\n
                    \r\n \t
                  • Graham Child, Les miroirs, 1650-1900,<\/em> Paris, Flammarion, 1990.<\/li>\r\n<\/ul>\r\n
                      \r\n \t
                    • Nicolas Courtin, L\u2019art d\u2019habiter \u00e0 Paris au xvii<\/span>e<\/sup> si\u00e8cle<\/em>, Paris, \u00c9ditions Faton, 2011.<\/li>\r\n<\/ul>\r\n
                        \r\n \t
                      • Nadeije Laneyre-Dagen, Georges Vigarello, La toilette, La naissance de l\u2019intime,<\/em> catalogue d\u2019exposition Mus\u00e9e Marmottan, 2015.<\/li>\r\n<\/ul>\r\n
                          \r\n \t
                        • Georges Vigarello, Le propre et le sale\u00a0: l\u2019hygi\u00e8ne du corps depuis le <\/em>Moyen \u00c2ge, Paris, Seuil, 1985.<\/li>\r\n<\/ul>","field":{"ID":780,"key":"field_67f660ee47359","label":"Bibliographie","name":"bibliographie","aria-label":"","prefix":"acf","type":"wysiwyg","value":null,"menu_order":7,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"wp-typography":"content","default_value":"","tabs":"all","toolbar":"full","media_upload":1,"delay":0,"wpml_cf_preferences":2,"_name":"bibliographie","_valid":1}},"etat_de_lobjet":{"simple_value_formatted":"","value_formatted":"","value":"","field":{"ID":618,"key":"field_67e67ee61f747","label":"\u00c9tat de l'objet","name":"etat_de_lobjet","aria-label":"","prefix":"acf","type":"wysiwyg","value":null,"menu_order":8,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"default_value":"","allow_in_bindings":0,"tabs":"all","toolbar":"full","media_upload":1,"delay":0,"wpml_cf_preferences":2,"_name":"etat_de_lobjet","_valid":1}},"informations_complementaires":{"simple_value_formatted":"","value_formatted":"","value":"","field":{"ID":619,"key":"field_67e67efb1f748","label":"Informations compl\u00e9mentaires","name":"informations_complementaires","aria-label":"","prefix":"acf","type":"wysiwyg","value":null,"menu_order":9,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"default_value":"","allow_in_bindings":0,"tabs":"all","toolbar":"full","media_upload":1,"delay":0,"wpml_cf_preferences":2,"_name":"informations_complementaires","_valid":1}},"":{"simple_value_formatted":"","value_formatted":"","value":"","field":{"ID":785,"key":"field_67f6616f4735e","label":"","name":"","aria-label":"","prefix":"acf","type":"text","value":null,"menu_order":10,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":614,"wrapper":{"width":"","class":"","id":""},"wp-typography":"title","default_value":"","maxlength":"","placeholder":"","prepend":"","append":"","wpml_cf_preferences":2,"_name":"","_valid":1}}},"mb":[],"mfb_rest_fields":["title"],"_links":{"self":[{"href":"https:\/\/youngcollectors.galerieleage.com\/en\/wp-json\/wp\/v2\/product\/1113","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/youngcollectors.galerieleage.com\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/youngcollectors.galerieleage.com\/en\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/youngcollectors.galerieleage.com\/en\/wp-json\/wp\/v2\/media\/2439"}],"wp:attachment":[{"href":"https:\/\/youngcollectors.galerieleage.com\/en\/wp-json\/wp\/v2\/media?parent=1113"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/youngcollectors.galerieleage.com\/en\/wp-json\/wp\/v2\/product_brand?post=1113"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/youngcollectors.galerieleage.com\/en\/wp-json\/wp\/v2\/product_cat?post=1113"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/youngcollectors.galerieleage.com\/en\/wp-json\/wp\/v2\/product_tag?post=1113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}